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This October, the Musée de la Photographie in Charleroi will be hosting the photographic collection of the Foundation A. This new exhibition follows in the footsteps of those devoted to corporate collections, previously organised by the museum, including works from IDEA, collections of the Janssen family and the Lhoist group.
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A lone figure digs a grave in the dead of night. With no dialogue – and no sound other than the wind, the crackling of a fire and the scrape of a shovel against dry earth – we are confronted with a dark and mysterious, possibly cursed, universe where every object seems haunted by a meaning we barely sense, but which seem to confirm our anxieties.
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For this latest edition of the Galerie du Soir, we chose Fañch Le Bos. Bodies wrapped in plastic and stored in aseptic storage cubicles... Fañch Le Bos’s universe is strange to say the least, combining formal beauty, absurd situations and skilfully distilled humour. A recent graduate of La Cambre, this Parisian of Breton origin discovered photography rather late in life.
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